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Eishan Ensemble

EISHAN ENSEMBLE - Australien

The Eishan Ensemble masterfully blends contemporary and classical music traditions from East and West. It blurs the boundaries between chamber jazz and Middle Eastern jazz fusion, creating a sound that defies categorisation.

Sydney Morning Herald ★★★★ “Sadeghi's fresh, contemporary pieces subtly integrate regional Iranian folkloric elements with jazz harmonic concepts, while avoiding predictable fusion.”

The Sydney-based ensemble was founded in 2016 by the renowned Persian-Australian composer and tar virtuoso Hamed Sadeghi. The ensemble’s core line-up features world-class musicians, including Michael Avgenicos on saxophone, Adem Yilmaz on percussion, and Maximillian Alduca on double bass, with Sadeghi providing the group’s distinctive Persian flavour on the tar.

The Eishan Ensemble has been nominated for the ARIA Award 2021 for best world music album (one of the highest honours in the Australian music industry for outstanding and innovative musical achievement) and has toured extensively throughout Australia and around the world. The ensemble has performed at renowened venues and stages. Among others: Sydney Opera House, WOMAD Australia, Yilan Arts Taiwan, Festibalem Spain, Rome Jazz Festival, London Jazz Festival.

Songlines ★★★★ ”As always, Sadeghi’s melodic writing is immaculate, especially when coupled with Michael Avgenicos’ breathy, expressive alto saxophone. The rhythm section work is also beautifully understated, with Adem Yilmaz’s percussion textures locking perfectly with Max Alduca’s double bass – their organically flowing dialogues calling to mind fellow Australian improvisers The Necks.”

 

Discography

Eishan Ensemble has released four celebrated predictable fusion albums to date, earning nominations for the APRA Art Music Awards and Sydney Fringe Festival Awards.

Nim Dong (2018)

Afternoon Tea at Six (2020)

Project Masnavi (2021)

Northern Rhapsody (2025)

 

Fine Music ★★★★

Album „Northern Rhapssody“

“Sadeghi’s connection with the landscape’s unique physical beauty delivers music that sidesteps the mechanical rigidity of overly technical composition, opting for an emotional resonance that pulses through eachtrack like a well-timed heartbeat.”

 

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CARLA PIRES (PORTUGAL) Fado

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Carla Pires began her singing career in 1993, participating in several musical projects, recording soundtracks and playing roles as an actress for TV series in Portugal. For three years, she performed the young Amalia Rodrigues in the successful Portuguese musical about this fado idol.

She established herself as a fado singer in 2008, when she embarked on a 10-concert tour of France and also performed in Spain, Austria and Algeria. Since then, she has constantly toured internationally, entertaining audiences in Europe, Africa, Asia and Latin America with more than 400 performances around the world.

Some of the highlights were performances at prestigious venues such as Osaka Symphony Hall, Okayama Symphony Hall, Hiroshima Bunka Gakuen Hall, Kobe International House, Nakano Sun Plaza-Tokyo (Japan), Graz Opera (Austria), Södra Teatern (Stockholm, SE), Concertgebow Amsterdam (NL), Cirque d’Hiver and Théâtre de la Ville (Paris, France) and Teatro Solís (Montevideo, Uruguay).

 

VIDEO: NL VPRO TV - Vrije Geluiden Program: Meu amor, meu amor

 

Following her debut album Ilha do meu fado (Ocarina,2005), Carla released Rota das Paixões (Ocarina/World Village, 2012). In 2014, at the invitation of the prestigious Portuguese choreographer Vasco Wellenkamp, Carla Pires embarked on tour of 42 dates through The Netherlands with the show fado, a co-production between the Portuguese National Contemporary Ballet and the International Danstheater (Amsterdam) about fado, with live music performed by the singer. This show won the Audience Dance Award 2014.

Pires’ third solo album "AQUI" was released in November 2016. "AQUI" sings of the city of Lisbon - female, free, diverse - where so many genres meet fado, such as tango or samba… and where they find a natural union in the voice of Carla Pires and the instruments of the musicians.

2017 follwed the "Aqui" World tour, with concerts in France, Spain, Switzerland, Belgium, Poland and a 14-concert tour of Japan, between 28 October and 14 November, at the best venues of the main cities: Kasaoka Civic Hall |Okayama Symphony Hall |Arkas Sasebo |Hiroshima Bunka Gakuen Hbg Hall | Higashi Kurara Hall |Izumo-Shi Shimin Kaikan | Kobe International House |Osaka Symphony Hall (2 concerts) | Nara-Ken Bunka Kaikan | Wakayama Municipal Auditorium |Joyo City Cultural Center | Nakano Sun Plaza Hall (Tokyo). 2020 she released the album Cartogrofando (Ocarina) in Europe.

 

VIDEO: Live bei Radio-Warschau: Lisboa Menina e Moça

 

On stage, supported by excellent musicians and their distinctive sound, Carla Pires has a remarkable presence and the power and talent to thrill her audiences. She is a great singer with a unique voice, which carries the fado and its special feeling through amazing musical roots.

LIVE Line-up: Carla Pires (voice) | Bruno Mira (Portuguese guitar) | André Santos (classical guitar) | João Novais (Doublebass)

CARLA Pires website: https://carlapires-fado.com/

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SUNNY JAIN WILD WILD EAST

Sunny Jain’s „Wild Wild East" encompasses myriad facets of Jain’s identity both as a first-generation South Asian–American and as a global musician, from his own family’s immigration story to his eclectic musical upbringing. In recasting the immigrant—steeped in the courage to leave a familiar homeland for a new beginning—as the modern-day cowboy and cowgirl, Jain sources musical inspiration from the scores of Bollywood classics and Spaghetti Westerns, Indian folk traditions, jazz improvisation, and rollicking psychedelic and surf guitar styles. Sunny Jain’s Wild Wild East is rooted in the contemporary American soundscape, singing in a new voice, "I am large, I contain multitudes.

Debut album on Smithsonian Folkways Recordings released February 21, 2020

Sunny Jain - Wild Wild East, offizielles Video:

 

Immigrant Warrior, das making of von Sunny Jain´s Wild Wild East:

Jain is best known as the dhol-pounding bandleader of Red Baraat, the frenzied fusion of bhangra, hip-hop, jazz, rock, and unbridled energy that NPR called "the best party band in years." The drummer and composer has collaborated with jazz artists Vijay Iyer, Donny McCaslin, Norah Jones, and Kyle Eastwood; the Sufi rock band Junoon; rapper Himanshu Suri (aka Heems), producer Andres Levin and singer Peter Gabriel. Jain has been commissioned to write new music by NPR, Aaron Copland Music Fund, Chamber Music America, Meet the Composer & MASS MoCA. In 2019, Jain served as musical director for the OBIE award-winning theatrical show, The Jungle, as well as Lincoln Center’s 60th Anniversary celebration.

Sunny Jain website: https://www.sunnyjain.com/

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DUDU TASSA & THE KUWAITIS - Arab/Orient-Rock from Israel

DUDU TASSA & THE KUWAITIS is the Israeli band that opened Coachella festival 2017 and was chosen by Radiohead as its support act for 2017’s spring tour of the USA. With the release of the new album „El Hajar“ in 2019, the band is ready to enter the global stage.

DUDU TASSA, one of Israel’s leading rock stars, is the grandson of Kuwaiti musician Daoud Al-Kuwaiti, whose musical collaborations with his brother Saleh as the Al-Kuwaiti Brothers became famous in the Arabic world between the 1930s and 1950s. Their music was later banned in Iraq by Saddam Hussein during his regime when he discovered that the singers were not Arabic, but Jewish. Being of Iraqi-Jewish (and Yemeni) descent, Tassa’s exploration of his roots revealed an amazing musical history.

DUDU TASSA has released 12 albums, the first of which when he was only 13 years old. He has collaborated with many prominent artists, composed for television and cinema and has featured as actor and musician in Israeli films. His concerts are sold out weeks in advance.

Having spent the last two decades gaining a reputation for his own original work, DUDU TASSA one day came across a box of old tapes by his grandfather and great-uncle.

The Al-Kuwaiti Brothers were among the greatest composers and musicians in Baghdad during the first half of the 20th century, considered innovators and creators of modern Iraqi music, who also helped to establish Bagdad’s original broadcasting authority. They were among the King’s favourite singers at that time and regularly performed at palaces and stadiums. Their songs remain popular in the Arab world today.

In the 1950s they emigrated to Israel, where they resorted to a humble existence, selling appliances in a market by day and playing music mostly in private and on rare occasions at a wedding.

On his albums with DUDU TASSA & THE KUWAITIS, “Dudu Tassa and the Kuwaitis” (2011), “Ala Shawati“ (2015) and his 3rd release “El Hajar” (2019), TASSA turns his powerful voice and innovative musicianship to salute the Al-Kuwaiti Brothers, the ground-breaking mid twentieth century Iraqi band featuring his grandfather and great uncle.

Tassa sings their original songs in Iraqi Arabic and integrates Iraqi, Middle-Eastern, and Israeli Rock music, his own distinctive style has been shown in the impressive "Iraq'n'roll" documentary film at numerous documentary film festivals.

Line-up:
Dudu Tassa (voice, guitar)
Adel Jubran (Cello)
Ariel Qassus (Qanun)
Barak Kram (Drums & percussions)
Loay Naddaf (Violin)
Nir Maimon (Producer & Bass Guitar)
Nissren Kadre (Vocal)

Homepage Band: www.the-kuwaitis.com 

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Tassa, who hadn’t known his grandfather, listened to hundreds of Al-Kuwaiti Brothers’ songs on old records and tapes of his mother’s and began choosing tracks he felt he could modernise and combine with his own sound. His project resulted in first two albums: Dudu Tassa and the Kuwaitis (2011) and Ala Shawati (2015). ‘Wen Ya Galub‘, the lead off single from debut album Dudu Tassa and the Kuwaitis, was the first Arabic song to be playlisted on the largest, premier radio station in Israel.

Both recordings, helmed by TASSA and his musical partner Nir Maimon, salute the Al-Kuwaitis legacy, revive their songs and integrate Iraqi, Middle-Eastern, and rock music in a unique style. The songs were recorded in Iraqi Arabic, which TASSA learnt especially for the project. On both albums, TASSA hosts Jewish and Arab singers and performers, from Israel and Iraq (including the notable singer and champion of Iraqi music, Ismail Fadel). Now, “El Hajar“ marks the third album in his series and the first to be released in Europe.

DUDU TASSA & THE KUWAITIS is not merely about the powerful voice, musicianship and energy of the performers, but also about doing justice to an important chapter in the history of popular Arabic music.

The recording of the first album was documented in “Iraq’n’roll” (2011), a film which tells the story of reviving the Al Kuwaiti Brother’s music and was screened at many international film festivals.

The project received praise from all around the world, including the countries that serve as the roots of this music, Iraq and Kuwait. Since then, has performed at the Babel Med Music Showcase in France, toured in the United States, including a SXSW Showcase, and played at Womex, the Colours of Ostrava Festival, Sziget Festival in Hungary, and a show at the United Nations building in New York celebrating the cross-cultural nature of the project.

An intriguing story and a marvellous set of music, DUDU TASSA & THE KUWAITIS album “El Hajar” gives us a great taste of history and a hopeful, inspiring and fascinating look into the future.

 

The newest project:

Dudu Tassa & Jonny Greenwood (Radiohead)

Jarak Qaribak (Translation: Your neighbour is your friend) - A very special project and album of cross-border collaborations - unique and highly topical!

This project Jarak Qaribak brings together vocalists and musicians from throughout the Middle East for a very special album of cross-border collaborations.

Jarak Qaribak (World Circuit) NO 1 album of the Transglobal World Music Charts in October 2023.

 

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OqueStrada - Fado-Swing

OqueStrada renews and changes the traditions of Portuguese music. OqueStrada´s music comes from the suburbs, bars and shady corners of Lisbon. Far from music studios this unlikely group has created a reputation on the road. The six musicians have taken the name Oquestrada, a neologism mixing "orquestra" and "estrada" (road), yet, more than just a contraction, this represents a new horizon and a new ambition.

"Changing paths that’s what we love!" proclaims singer Marta Miranda in "Tourner en Rond", a strange rustic rap that flirts with melodic folk. And my god it moves in all directions!

Their nomadic swing travels long distances with a little melancholy in their rucksacks, a good sense of offbeat humour and tickets of acidic humour in their suitcases, or rather trunks, which exude scents from around the world. The fununa from Cape Verde, the Congolese semba, the Argentine tango, their home fado, French musette, jazz and ska impregnate the music as they sing in Portuguese, Creole, Spanish, French and English. Oquestrada is an eclectic bazar that’s completely unique, just like the instruments they’ve put together (including washtub bass and percussion chair) and like the style they’ve created, the Tasca Beat!

More than music, it’s the soundtrack of a country in transition, a surrealist cabaret where the Saudade combines with glimpses of the future.

OqueStrada developed with songs like "Oxalá Te Veja", "Creo carino" and "Se’sta Rua fosse minha" cult-status in Portugal. International TV- and radio features like the German Late Night Show INAS NACHT and ARTE TV, Metropolis led them to international success. OqueStrada played in Spain, Germany, Austria and France and at the "Creation of Peace Festival" in Kazan, Russia in front of 80.000 people. In 2012 OqueStrada was invited to perform as the first portugues music groupe ever, next to Seal, Jennifer, Hudson and Ne-Yo at the Nobel Peace Prize Ceremony in Oslo, Norway.

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Ashia Bison Rouge (Ambient-Sounds)

With Cello, Loopstations, effects, and her "powerfully expressive voice" (Berliner Morgenpost), Ashia Bison Rouge creates a whole world made of sounds, rhythms, moods and moving melodies. Dreamy, dynamic pop songs and rhythmic, electronic style pieces are connected by layers of ambient sounds to create what she calls a ‘Song Archipelego’ in her live shows. All the songs and compositions are performed live in the moment and only with her instruments and effects: no electronics, and no synthesizers. Think of it as an Organic-Cello Orchestra Concert! Her style at times comparable to the Portland Cello Project, Zoe Keating, as well as other cello based performers including 2 Cellos.

Ashia Bison Rouge is inspired by nature, ancestry, movement, and dance. Next to her solo-project she has performed with Cirque du Soleil, created pieces for Base Berlin Artistik, Chameleon Theater, and performs a key cello-playing-acting-singing role in the ‘acrobatical’ "Der Helle Wahnsinn". She was born in Wroclaw. Poland, then grew up near Seattle/Portland, USA, and currently lives in Berlin, DE. In Spring of 2015 Ashia Bison Rouge had the honor to perform her solo songs with the Salem Chamber Orchestra in Salem, Oregon. She has also performed with the Songbird Collective, Portland Cello Project, Arstidir, Vagabond Opera, and Jherek Bischoff.

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Hazmat Modine (Blues jazz roots crossover)

Hazmat Modine draws from the rich soil of American music of the 20’s and 30’s through to the 50’s and early 60’s, blending elements of early Blues, Hokum Jugband, Swing, New Orleans R & B, and Jamaican Rocksteady. The band is fronted by Wade Schuman’s harmonica and singing and includes sousaphone, guitars, and percussion, saxophon, trumpet, trombone, banjitar, banjo and Hawaiian steel guitar. The band’s sound reflects musical influences ranging from Jazz to Rockabilly and Western Swing to Middle-Eastern, African, and Hawaiian musical styles. They have collaborated with Natalie Merchant, Tuva’s Huun Huur Tu, the Kronos Quartet and Benin’s Gangbe Brass Band.

Since their debut album "Bahamut" (2007), Hazmat Modine performed about two hundredfifty concerts in 20 European countries, playing well-known festivals like Jazzfest Vienna, Copenhagen Jazzfestival, Berlin Jazzfest, Stockholm Jazz Festival and many others. . As well the band appeared on festivals in the US, Canada, Russia, Borneo, Brasil, Mexico, Australia and New Zealand.

Their album, Cicada (2011), reached number one on the European World Music Chart, WMCE. Cicada was also nominated for a BBC award and received the Charles Cros Grand Prize in France for the Best Blues Album in 2011. In addition, Hazmat Modine has the song „Bahamut“ from their first album featured in the Oscar-nominated movie "Pina" by Wim Wenders (2011), and they created and performed the soundtrack for the award-winning documentary “Windfall” (2012). Their new CD Extra-Deluxe-Supreme (2015) was released in Europe (Jaro) and in the U.S.

In 2016 Hazmat Modine celebrated their 10th anniversary year of performances in Europe.

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In cooperation with Jaro Medien
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WARSAW VILLAGE BAND ("trans-minimal roots")

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The Warsaw Village Band with 7 bandmembers (voice, dulcimer, violin, viola, suka, hurdy-gurdy, frame drum, big drum, bass and trumpet) is a symbol of young, intelligent Eastern European music which combines tradition with modern elements and is capable of eliciting enthusiastic responses from rock audiences and traditionalists alike.

The New York Times once referred to them as one of the most important bands on the World music stage comprising "the sound of globalization!".

2004 the band received the "BBC WORLD MUSIC AWARD, The Warsaw Village Band´s newest album "Sun Celebration" was awarded with the Polish Grammy, the Fryderyk Award 2016 "Album of the year - for roots music, it became top no. 2 of the World Music Charts Europe, WMCE 2/17.

Their 7th album "Sun Celebration" exalts in the spiritual brotherhood that crosses religious and ethnic boundaries which are elevated in these restless times and that Warsaw Village Band have experienced on their travels. It features world famous guests from India, Persia & Spanish Galicia.

In the spring of 2017, the band toured Australia and New Zealand and played at WOMAD and WOMADelaide Festival, among others. The band performed at UK radio BBC3 and summer festivals in Poland, Germany, Spain and France. The album "Sun Celebration" was recorded with guest musicians from Galicia, India and Persia. In February 2017, it reached #2 on the World Music Charts Europe. A fitting gift for the 20th anniversary on stage, followed by performances in Poland, including in November with renowned guest musician Bill Laswell. 

The 2018 anniversary album "Mazovien Roots Re:action" earned very good reviews and was presented live in Hungary, Italy, Poland, England, as well as at the Jazzahead Fair as the opening concert at the Bremen Theater in Germany.

"The Warsaw Village Band has presented one of the most beautiful world music albums of the year, which should please folk purists as well as open-minded pop music fans." Bavarian Radio Album Tip

In 2019, they successfully toured England, Portugal, the Czech Republic and Sweden.

Despite or perhaps because of Covid19, the band will release their latest album "Waterduction" in Poland in November 2020 and in Europe in spring 2021.

Waterduction" - It seduced us. The water of the river, the well, the rain, the dew, the mist and the tears. We are all equal to the water. Once again the band explores Mazovia. This time they have left the land behind and let themselves be carried away by the current of the river, which makes them explore new cultures. So now they are inspired not only by the Vistula itself, but also by Urzecze, an ethnographic micro-region near Warsaw that stretches between both banks of the Vistula.

Warsaw Village Band & BASSalyki: We are absolutely delighted about the success of the latest album "Twines" (Nov. 2024/label Karrot), a dazzling fusion of British-Caribbean flair and the band´s traditional sound. The album reached top number 1 in the World Music Charts Europe and top number 3 in the Transglobal World Music Charts in February 2025. 


Line-up:

Magdalena Sobczak
Dulcimer (Hackbrett), vocals

Sylwia Swiatkowska
Violin, viola, suka, vocals

Ewa Walecka
Violin, hurdy-gurdy, vocals

Maciej Szaijkowski
Frame drum, percussion

Piotr Glinski
Big drum, percussions

Pawel Mazurczak
Double bass

Milsoz Gawrylkiewicz
Trumpet, flugelhorn

 

Also available "live-projects":

Warsaw Village Band & BASSalyki/10 musicians
Warsaw Village Band & Mercedes Peón/8 musicians
Warsaw Village Band & Dhoad Ensemble/12 musicians

Please feel free to contact us.

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RED BARAAT (Bhangra-brass from Brooklyn, New York)

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Red Baraat is a pioneering band from Brooklyn, New York. Conceived by dhol player Sunny Jain, the group has drawn worldwide praise for its singular sound, a merging of hard driving North Indian bhangra with elements of hip-hop, jazz and raw punk energy. Created with no less a purposeful agenda than manifesting joy and unity in all people, Red Baraat’s spirit is worn brightly on its sweaty and hard-worked sleeve. 

“Their infectious rhythms roll over the audience like a hurricane and let the audience breathe only in a short ballad pause.”

RHEIN MAIN PRESS (GER)

In 2019 Red Baraat toured twice in Europe and performed in clubs and at prestigious festivals like Colours of Ostrava in Czech Republic, Etnosur Festival in Spain, FMM Músicas do Mundo Festival in Sines Portugal, Plai Festival Romania and others in Austria, Czech Republic, Poland and Germany.

Red Baraat’s June 2018 album release, “Sound The People”, hit the top 10 on the World Music Charts Europe and was heralded in the US as the anthem soundtrack for the South Asian diaspora by US hipster, indie-rock magazine.

“The album is full of moments that hit with the force of a spiritual awakening…The funk, ska-punk, and other American forms that make their way into the music are layered intricately within the same threadwork as the ragas on which these songs are pulled from. Each piece is a gesture of cultural harmony, rendering not only genre irrelevant, but the geographic placement of those sounds.”

STEREOGUM (US)

2018 also saw the band touring Kazakhstan, Abu Dabhi, US, Canada and Europe. They headlined the renowned WOMAD Festival in Cáceres, Spain in front of 10,000 people, performed the Vienna Konzerthaus (Philharmonie) in Austria and had the crowd jumping at Rudolstadt Festival in Germany. Red Baraat played in the Netherlands, Belgium, France and Switzerland.

The release of Red Baraat’s 2nd album in 2013, Shruggy Ji, debuted at #1 on the Billboard World Music charts in USA and propelled the band on a world tour that has yet to stop. They’ve performed at Bonnaroo, Austin City Limits, WOMAD, globalFEST, Lincoln Center, New Orleans Jazz Fest, along with clubs, theatres, and arts centers. Along the way they sold out rooms as diverse as the Luxembourg Philharmonic and the New York City’s legendary rock club Bowery Ballroom, and performed at the request of The White House (Obama), TED and Olympic Games.

But even as it’s clear that Red Baraat has built a startling history of performances in iconic settings, the band’s bread and butter remains the sweaty clubs, festivals, packed performing arts centers, and college auditoriums that keeps the band on the road all over the world the last several years. It’s here where Red Baraat does what it does best - communing with their audience in a joyful, near hedonistic celebration of music and dance, which tellingly, draws a crowd even more diverse than the players on stage. The universality of what Red Baraat does is undeniable. And this is no happy accident. It is the product of intention and design. Says Jain, “The band…our songs…are addressing the multiplicity of viewpoints,” says Jain. “There’s ‘Zindabad,’ which means ‘Long Live’ in Hindi. In that song, we’re saying that we celebrate life, we celebrate devotion — but we also celebrate agitation and revolution. If we can unite people of all backgrounds and ethnicities to partake in the exuberance of life through the universal language of music, then life is that much sweeter.”

Line-up:
Sunny Jain   - dhol/vocals
Sonny Singh  - trumpet/vocals
Chris Eddleton  - drumset
Jonathan Goldberger - guitar
Lynn Ligammari  - soprano saxophone
John Altieri  - sousaphone

 

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